Eve Pownall Award. Since then her writing has kicked into overdrive, with a number of wonderful books and a prolific output. I have listed all of Frances Watts' books at the end of this post.
The Sword Girl Series
'The Poison Plot' (2012), illustrated by Gregory Rogers, Allen & Unwin, 2012
'Tournament Trouble' (2012), illustrated by Gregory Rogers
'The Siege Scare' (2012), illustrated by Gregory Rogers
An Interview with Frances Watts
FW: Probably a plentiful supply of good books! My parents were (and are) avid readers, and my sister and I just naturally followed in their footsteps. We were regulars at the local library and the second-hand book store, and my grandparents in America used to send huge parcels of books and subscriptions to children’s magazines. (I particularly remember Cricket, which was essentially a literary magazine for kids.)
But you asked about my love of story particularly. I think I’ve always been drawn to story because to read a story is not just to observe, to be a spectator; it is to feel, to live, to experience. As Atticus Finch said in To Kill a Mockingbird, one of the most wonderful books of all: You never really understand a person until you consider things from his point of view—until you climb into his skin and walk around in it. The intimacy of a story can provide that experience. When you read, it is personal: good literature takes you right out of your own skin and into someone else’s. It has a voice that rings true. It makes you feel something.
2. TC: Could you tell me a little about the inspiration for the Sword Girl series?
|Château de Chillon (Wiki Commons)|
3. TC: Thomasina is obviously an unusual lead character in a children's book set in medieval times. Is the choice all about simply wanting to portray a girl as a strong, clever, courageous and determined lead character, or are there other reasons for this interesting character?
FW: Yes, being able to write a strong girl character was definitely something I wanted to do—a girl who wasn’t a princess or a fairy, who could be kind and thoughtful and empathetic yet still be active and adventurous and ambitious. I think, too, that I wanted to convey the idea that the times we live in can change, can be changed – but it is up to us to change them, to help to make the world we want to live in. And sometimes that’s just a matter of being yourself and following your heart. As Tommy performs her role as Keeper of the Blades with such diligence and skill and determination, more and more people around her begin to accept the idea of her one day becoming a knight.
4. TC: Do you have any particular reasons for pitching this book series at young independent readers?
FW: It’s an age group I do enjoy writing for. There’s a combination of innocence and awareness; young readers embrace characters wholeheartedly, they get a kick out of absurd humour and they are absolutely open to joy and wonder. In a way, though, I never feel like I’m deliberately pitching my books at a particular age group or ‘market’; in the first instance, I just write the stories I want to tell and worry about the audience later.
5. TC: You've obviously done some research in situating these stories historically, but you also have fun with names and language and a variety of elements of fantasy. How and why did you come up with this interesting mix?
FW: I love language—its quirks, its ambiguities, the way it sounds, the way we can play with it; there’s always an element of play with language in my writing, just because it’s a passion of mine. (And, if I’m honest, I’m writing for myself first, before any other reader.) As for those elements of fantasy…I just can’t explain them! It’s what comes out when I begin to write.
6. TC: What is the best response you've ever had to a book?
FW: I don’t know if I could choose a single instance: any time I hear that someone has enjoyed one of my books, has connected with the characters, has been moved or delighted or inspired, is a thrill. But one of the most moving ‘uses’ of one of my books has to be when 'Kisses for Daddy' was chosen, for a while, by the Storybook Dads program Dartmoor prison in the UK. The program helps inmates to record bedtime stories onto CDs and DVDs. These are then sent to their children, helping prisoner parents to maintain an emotional bond with their children. I was lucky enough to hear a recording of a prisoner reading Kisses for Daddy to his son. Some of the prisoners have poor literacy skills themselves, but are keen to encourage their own children to read. For a book to become a means of a father expressing his love for his children, and his hopes for their future, is a beautiful thing.
7. TC: Will there be lots more Sword Girl books?
FW: I hope so. I’m having a lot of fun with the characters and the setting. I’ve just finished writing the sixth book (books 5 and 6 in the series, ' The Terrible Trickster' and 'Pigeon Problems', will be published in April 2013) and I still feel like I’m bursting with ideas.
8. TC: On a long haul flight to London, which two books would you take?
FW: Hmmm...That’s a very different question to the whole ‘desert island’ concept, because I’m not going to be taking favourite books on that flight but ones I haven’t read yet. So these aren’t recommendations but, rather, books I’m keen to read myself. I’ve just started Michael Chabon’s Telegraph Avenue—he’s a dazzling writer. And if we can delay the flight till November I’m really looking forward to getting my hands on Barbara Kingsolver’s new novel, Flight Behaviour. She has a voice that really gets into my head.
Other Books by Frances Watts
Kisses for Daddy' (illus. David Legge) (2005)
'Parsley Rabbit's Book about Books' (2007)
'Captain Crabclaw's Crew' (2009)
Ernie & Maud Series
A series of junior novels about two very unlikely superheroes, Extraordinary Ernie and Marvellous Maud.
'Extraordinary Ernie & Marvellous Maud' (2009), illustrated by Judy Watson. CBC Notable Book in 2009.
'The Greatest Sheep in History' (2009) illustrated by Judy Watson
'The Middle Sheep' (2011), illustrated by Judy Watson
'Heroes of the Year' (2012), illustrated by Judy Watson
'The Song of the Winns' (2011). Children’s Book Council of Australia Notable Book 2011.
'The Spies of Gerander' (2011)
'The Secret of Zanzibar' (2012)
'Kisses for Daddy' (2006), illustrated by David Legge. Children’s Book Council of Australia Honour Book, 2006
'Parsley Rabbit’s Book about Books' (2007), illustrated by David Legge. Winner of the Children’s Book Council of Australia Book of the Year: Eve Pownall Award, 2008.
'Captain Crabclaw’s Crew' (2008), illustrated by David Legge. Shortlisted REAL children’s choice awards (NSW, Vic, ACT, NT) 2012. Children’s Book Council of Australia Notable Book 2010.
'A Rat in a Stripy Sock' (2010), illustrated by David Francis. Shortlisted REAL children’s choice awards (NSW, Vic, ACT, NT) 2012. Children’s Book Council of Australia Notable Book 2011.
'Goodnight, Mice!' (2011), illustrated by Judy Watson. Winner: Prime Minister’s Literary Award 2012. Children’s Book Council of Australia Notable Book 2012.
For more information on Frances Watts and her work (HERE)