Helping our Students to Make Connections between Life and School

I presented a plenary address this week at the Seventh International Literary Juvenilia Conference 2022. The conference explored Juvenilia, that is, youthful writing up to the age of twenty. As part of my plenary address I explored Intertextuality research which was a key focus for me in the 1980s to 1990s. Intertextuality refers to the "relationship between texts" (Kristeva). In my book 'Pathways to Literacy' (Cassell, 1995) I describe it as "the process of interpreting one text by means of another text".

Two people inspired me to explore Intertextuality. First, my dear friend and colleague Margaret Meek from the University of London (who died just two years ago), and Prof. Jerome Harste (Indiana University) who has been a close colleague and friend for almost 40 years. Jerry invited me to come to Indiana University (Bloomington) as a Postdoctoral Fellow in 1984. My purpose was to commence postdoctoral research and writing on Intertextuality.

While at IU, I collaborated with a Grade 5 teacher at an Indianapolis School. Barbara invited me to spend time at her school and assist her as a co-teacher, with a class that at times was challenging. I want to share a story from this classroom, that I also shared at the Juvenilia Conference this week. This student's writing, was to offer me a profound insight into why the task of inspiring our children as readers and writers can be at times challenging.

On an ordinary morning, as I prepared for the school day, I heard the yellow school buses arrive at the entrance, and the rush of students down the corridor shortly just minutes later. Students burst through the door and we did the usual crowd control, as they jostled their way to their seats. Some were shouting to one another, and a few were saying “Hi Sir”. A bolshie young African American named Nora (not her real name) threw her bag onto the desk. It missed, and its contents spilled onto the floor right in front of me. I started to help her pick things up. I grabbed a wad of writing paper with numerous texts that looked like stories.

 

I was shocked! Norah was a disruptive student and had the ability to spend a whole day without completing any task. She was from a difficult family and lived in a trailer court. It’s no exaggeration to say, she had not produced a single piece of writing in English while I was there. I said to her, “what’s this Norah?” She replied, “Nothin Sir”. I said, “looks like writing to me”. “It’s Nothin Sir, just stuff I do at home.”

 

I hesitated and said, “can I read some of it?” “No Sir, you won’t like none of it. It’s just stuff.” “Looks like poetry to me”.  “No Sir, just some songs.” I said, “please let me read some.” She replied, “well, maybe just a couple.”

 

The first untitled ‘song’ that caught my attention was this one ‘:

 

Lonesome all alone

She waits by the phone

Lonesome all alone

She wants to belong

Lonesome all alone

She listens and hopes

But there is no sound

Just a lonesome hound

Lonesome all alone

 

Was this great poetry? For this 11 year old child, yes! At home, it seemed Norah was a writer, whereas at school she was mostly a pest, and had not completed a single piece of writing at school. She saw little relevance in her school learning, but found inspiration in writing music stimulated by her own inner hopes and dreams.

I share Norah’s story, because I believe there are many children like her in our schools, for whom the literature of great authors has not been part of their lived experience. As such, the literary seedbeds of their storytelling and writing are different to the students many of us will teach in our schools. She was inspired by popular music at home and moved to write in response to her struggles as a disadvantaged African American.

I want to suggest 4 key ingredients for motivating and engaging our students as learners:

 

• First, know your students well. Who are they at home? What are their passions outside school
• Second, discover the things in life that our students might want to share with others?
• Third, consider what might unlock the passions and interests of our students leading them to become risk takers, willing to share the things that touch and inspire them most? 
• Fourth, as teachers we should try to help our children to build a "cauldron of stories" as a reservoir into which they can dip as writers.
  

The challenge in my talk at the conference was a simple plea. Get to know our students well, and seek to plough the seeds of the love of literature, into the lives of students like Norah, and I suspect many other children within our schools. In this way, we might just be able to help children like Norah (& me when at school) to grow as readers and writers as they connect their lives with the things of school.

Do we listen to children but never really 'hear' them? The lost art of understanding our students.

I've had a paper on my study floor for several years in my pile of papers loosely categorized as those ‘I must read some day’. Many times, I've picked up a photocopied extract from a book titled ‘The Call of Stories: Teaching and the Moral Imagination’. The book was written by psychiatrist Dr Robert Coles. Each time I would skim a few paragraphs and think, "now why did I place this paper from a psychiatrist here to read"? I was flipping through the pile again this week when I saw the Coles' extract once more. I read a few pages and finally realized why I’d kept it. I wrote a post on the topic for another blog I write for parents and teachers who want a faith-basis to school education. But after posting it, I thought that what I'd seen in Coles' book was just as relevant for non-religious schools.

 

I strongly believe that Coles' work needs to be read by teachers, parents, doctors, psychiatrists and even politicians. After reading his work one key aspect resonated strongly with many of my own instincts about nurturing and understanding our students at school. We often fail to truly listen to the stories our children want to tell us. Essentially, their stories about what matters most to them. Instead, we more often observe and draw conclusions based on their behavior, the things we’ve listened for, and responses to our questions.

 

Coles unpacks the lessons he was to learn about knowing and understanding his troubled patients. One of the simplest, yet most profound lessons, was simply that patients - and I would add students at school - want to tell their stories. The question for this post to parents and teachers is do we often we fail to truly listen, and instead begin to ask questions about the things WE want to know, not what they are trying to share.

 

With the mentorship of good teacher and senior colleague, Coles realized his patients were telling him the stories they thought he wanted to hear, and refraining from those things that mattered most to them. They at times did try to share their stories, but more often than not, he failed to listen to many of these things. Instead, he pursued his own narrow questions and they would stop sharing the things that mattered most to them. These became the 'hidden' things of their lives. If we reflect on this in relation to our students, what might these things be? Often, they are their special challenges, hidden pain, life frustrations, hidden hopes and fears. As teachers, I suspect we often miss the stories that offer an insight into who our students really are.

 

 

 

As I read Coles' work, I could see special significance for teachers who try to understand their students. I suspect our school students often carry around stories to which we barely listen. If they do attempt to share them in the 'cracks' of school life, they tend to interrupt the flow of our plans for the day and we fail to listen. Most students arrive at school full of life and keen to tell others the stories that matter to them; stories about the things that matter to them. But do we listen? If we don’t, we lose so much. In the comments they make, and the stories they might share, we would gain a richer insight into the things that matter most to them, not to mention their fears and hopes.

 

In my book ‘Pedagogy and Education for Life’ I say much about story, but Coles’ work has reminded me that we need to amplify the importance of storytelling in our classrooms even more. Children are born to be story tellers. If given opportunities they will share stories in class, walking into school in lines, at group tables with other students, at sport, while waiting in assemblies, or simply waiting at the school gate to go home. Some teachers might see the buzz of such conversations and stories as unimportant chatter. But if only we would listen I suspect sometimes we might just hear children speaking of the fears, phobias, hopes and aspirations that impact on their lives.

 

 

Robert Coles was taught by his mentor Dr Ludwig something critical about not missing opportunities to listen well as a psychiatrist.

 

“The people who come to see us bring their stories. They hope they tell them well enough so that we understand the truth of their lives. They hope we know how to interpret their stories correctly.”

 

While we might be teachers, not psychiatrists, I wonder how often we miss such stories and opportunities? Whether our students' comments and stories are happy, sad, important or just great memories, do we give them opportunities to share them? And if they do, do we actually listen?

 

I share a number of stories in my book about teaching moments when I have gained great insights into my students in the cracks of classroom and school life. One of them concerns a ‘non-talker’ I met in a Kindergarten classroom where I was teaching part-time in a NSW country school.

 

As a researcher, I visited classrooms regularly in the town to explore using writing as a means to encourage young writers to express themselves. I would visit the same Kindergarten classroom each week and run an immersive writing workshop. I started in the first visit by handing out blank books and asked them to: “tell me a story in the writing books.” This might seem ridiculous to the average Kindergarten teacher, but it caused no problems for the children, for if you asked many why they go to school they might just say "to read and write". I stressed that they were to choose anything that was important or special to them. No-one refused to participate.

 

One little girl finished her work and shared her story with me. She simply left her seat and came to me quite excited and keen to read what she had written, much of it was invented spelling. She read her work with great enthusiasm and pride. When the School Principal dropped in on this particular morning (no doubt to check on the visiting researcher), I asked the little girl to share the story with her. She did so and returned to her desk. The Principal was aghast and when she spoke to me later, she shared that the little girl “didn’t speak”, and had said nothing to her teacher in the first 8 weeks of school. In fact, she had been tagged to join a “non-speakers” group so they could monitor her progress.

In my pedagogy book I share a number of stories, that give some insight into the surprises we often receive as teachers when we observe our students closely and listen to them. One story is of an experience I had with an African American student I taught in an Indianapolis Elementary school in the 1980s while a visiting Professor at Indiana University. Chanda (a year 5 student) was not my most cooperative student. She rarely completed tasks, and often didn’t even start. One morning as she dropped her bag on the desk, the contents fell out, including a bundle of paper with writing on the many sheets. I asked her what she was writing? To which she replied:

 

“Nothing, sir.”

 

I gently prodded a little more and said, "what are you writing about". She responded, "not much Sir". I had the good sense to say, “I’d love to see your writing”. She reluctantly pushed a sheet across the table and said, “It’s just music, sir, just bin writin music.” 

 

I began to read her quite poetic and rhythmical writing, and discovered that there was a dozen or more examples like the first that I picked up. Yes, it was music! Some wonderful music (and poetry) that offered a window into her challenging life in a 'Trailer Court'. Chanda went on to share that she had been writing music at home for some time and it was one of her passions.

 

I could go on to share many other stories of students who would wander into my classroom in the morning before classes for a chat. I always tried to listen, and if I did, they often shared many things. Some seemingly banal, others profound, some disturbing, but all offering insights into aspects of their lives and a sense of who they were as people.

 

 

One of Robert Coles’ great insights while working with adult traumatized psychiatric patients, was that all people deep down are story tellers and want to tell their stories to someone who will listen. Sadly, he found that if people do share something of our lives, but they sense others aren't interested, then they stop and withdraw into telling us what they think we wish to hear.                                                            

As an elementary school teacher and later as a university lecturer, I found that our students do want to share some of their life story if they have a relationship of trust with you. Their sharing of personal stories often happens within the classroom in the ‘cracks’ of the school day. But it also happens as we walk in lines to school sport, as they unpacked their bags at the start of the school day, or as they prepare to go home. I always loved playground duty as a young teacher (I know, teachers will think I'm mad), because this was another less formal place where children would come up and talk about the things important to them.

Assisting the formation of our students as people who will take their place in the world is a foundational part of education. To have any right or opportunity as a teacher to do this, we must create contexts where our students are willing to tell their stories. And when they do, we must listen carefully so that we might just come to a deeper understanding of who they really are, and what their hopes for the future might just be.

 

Helping children to access and use stories to understand and represent their world

I was asked recently to send one of my followers a conference paper on literacy that I presented in 1986! While looking for that paper it led me to sort through many of my older publications from the 1980s and 1990s. I stumbled across one piece I’d written for an international journal in 1990 on “Intertextuality”. This was a buzz word in the 1980s and early 1990s. My interest in the topic arose as part of classroom-based research I had done with children aged 5-12 years. The work was published in a number of journals. As I read the old article, I was pleased that I still agreed with it!

 

One of the papers was from research titled ‘Intertextuality: Infectious echoes from the past’. It was published in ‘The Reading Teacher’ (March, 1990). I opened the article with a quote from J.R. Tolkien, who had claimed there are no new stories, only a “cauldron of stories” into which we dip as we write. Of course, Tolkien wasn’t the first person to observe that writing always occurs against a backdrop of our prior literary experiences. And there will always be a level of reciprocity between reading and writing. In fact, the reading of one text will always prime and connect with the memory of other stories. So too, writing can be inspired by books (or other media).

 

Margaret Mahy (1936-2012), the great New Zealand author of children’s books and a dear colleague to many of us writing about literacy, expressed this point well when reflecting on her childhood experiences that helped to shape her:

 

“I wrote because I was a reader, and wanted to relive certain experiences more intimately by bringing them back out of myself”. (Margaret Mahy)

 

She suggested that stories “infected her” and she engaged in dialogue with them in a type of “reciprocating discussion”. Books offered her (and us) a “cauldron of stories” from which to draw inspiration, and even ideas.

 

When I suggested this in conversation with a very well-known Australian author she was indignant, feeling that I was suggesting writers plagiarise from other writers. But of course, this was not what I meant. Our ideas are formed as original ideas against a backdrop of others stories. This in essence is what “intertextuality” means, it is the interconnection between texts written and read. Such connections might affirm ideas, offer us new insights, or help us to grasp the depth of meaning of something in those “aha” moments, when another text challenges, inspires, or perhaps even creates dissension.  

 

The details of my work and the many scholars who inspired my research on Intertextuality can be found in my original articles. The many scholars included colleagues like Professor Jerry Harste (Indiana University), Margaret Meek, Umberto Eco and many more. Those who are more interested should source my original article and others on the topic. But for parents and teachers there are a few basic points worth stressing here:

 

1.   From birth, fill your children’s lives with expository, descriptive (including poetry, journals/diaries, novels, & plays) and persuasive texts (e.g. letters, advertisements etc).

2.   Parents, read to your children from birth. And teachers, always make time to share literature in the elementary years of schooling.

3.   Preschool, primary and Secondary teachers, never lose your own passion for literature, so that you might ‘infect’ your students with this same passion.

4.   Help children to celebrate each other’s writing, and acknowledge the inspiration for their writing and ideas.

5.   Encourage experimentation with writing, in form, at the ideas level and in purpose.

6.   Classroom teachers and parents, try to create an environment where stories are shared, talked about and celebrated.

7.   Make sure you use the school, and local library if you have one nearby, to consider books and borrow them.

 

Never forget that one of the most significant things we can do for our children is to provide access to a “cauldron of stories” into which we they can ‘dip’ as they grow as writers and readers.

Children as Bloggers: How Class Blogs Can Promote Literacy, Learning & Thinking

As an educator, I've been blogging for almost 15 years and have written a number of blogs for varied purposes. But how might we make better use of blogging with children? I wrote about this topic ten years ago! I thought maybe it's time to return to the topic. Many teachers have experimented with blogging for children as have some parents. But could we make better use of the Blogosphere? In this post I thought I'd outline a few basic ways in which children could become bloggers, and why it's worth considering.

Why might blogging be good for children?

There seem some obvious reasons for using blogs in the classroom or at home:

1. Encouraging children to explore new internet applications for communication and learning is important.

2. Children need to experience web applications like blogs as creators, not just as consumers. Just as we want children to use written narrative forms like literature as readers and writers, so too we want them to explore web applications as creators not just users or consumers.

3. Each application that we experience on the Internet requires a range of web-based generic skills as well as some that are unique to the application.

4. The act of writing a blog post can lead to significant research and related learning. For example, it is an excellent way to develop web comprehension and research skills. Skills like checking your sources, not plagiarising content engaging readers etc.

5. Blogs also offer authentic readers and audiences for children. So much classroom writing is simply for the teacher 'as examiner', but blogs offer 'real' readers who will respond as learners and fellow writers. This is powerful.

6. Blogs can offer a means for children of many nationalities to communicate and share their ideas around the globe.

7. Blogging can offer a wonderful means for children to practice a second language.

8. Using blogs as creators as well as consumers highlights the need for children to consider issues such as truth and fiction, privacy, copyright and so on.

How can teachers and parents use blogging to promote learning?

a) Showcase blogs

One of the most common ways teachers use blogs is to showcase children's work. The blog can be set up to showcase work in specific subject areas or can vary by form. For example:

• Poetry and narrative writing. Here's a blog just about poetry blogs.
• Units of work. Here's one for a 5 year old 'Prep' class based on a 'Kindness' unit (The term 'Prep' class is used in some Australian states)
• Drawings and art units (here)
• Videos (class activities, class performances, readers' theatre etc)
• Podcasts (personal stories, public speaking, family history, oral reports etc)

Kathleen Morris tells how she got into showcase blogs for her students (here) as well as how colleagues have used them.

b) Classroom News blogs

This is a common way for teachers to blog. It can have an important role in keeping parents informed about the work that their children are doing as well as being an excellent way to showcase children's work. Here is a 4th Grade class blog in the USA (here). News blogs offer less opportunities for children to compose than other forms of blogging but has a place.

c) Literature response blogs

This application offers children a greater opportunity to respond to the writing of other students. It is simply a way to take activities online that require children to respond to literature that they have read (or which has been read to them). Often the teacher posts the first entry or task and students then respond to the book that has been read. I love Kath Murdoch's children's response blog (here).  

d) Writing blogs

These are simply blogs that allow children to share their writing. Here is a wonderful site that shows you how to help children to write their own 'Choose Your Own Adventure' story (here).

d) Science blogs

Using blogs to share ideas on science or activities for science is also a great way to give children a chance to read and write scientific texts. Here's a great example 'Science Fix'.

e) STEM blogs

Sites that offer opportunities to share the outcomes of Science Technology Engineering & Mathematics (STEM) projects and ideas are another great application of blogging for children. Here's a great one called 'Learning is Messy'.

Summing Up

Encouraging children to explore blogging is a useful way to get them to use technology to share and promote writing and reading for varied real world purposes and with authentic audiences. As well, it encourages children to write for 'real' audiences.

The above should not be seen as the only options, try to be creative with blogs. Once you are familiar with the various options for setting up a blog, play around with your site and think creatively about how you might use this powerful technology application to stimulate children to read, respond, write, reflect and learn.

The Children's Writing of Alcott, Austen, Carroll, Bronte, Dickens & More

An interest in Juvenilia

I have written already on this blog before (here), that children begin to write from a very young age. While their earliest attempts at writing - even before the age of 12 months - is often seen 'just' as scribble by some parents, many young children soon develop a desire to do more than simply making their marks on paper; they begin to play with language and words, often in combination with their early drawings.

Many great writers become aware very early in life that they have a desire to write, sometimes for self, but often for others. The study of early writing (and art) has been termed Juvenilia, drawing from the Latin meaning "things from youth". I have had the privilege of spending a number of years on the Editorial Advisory Board of the Juvenilia Press at the University of New South Wales. The Juvenilia Press is currently one of the passions of Christine Alexander, Distinguished Professor in English Literature at the University of New South Wales. Professor Alexander is a prominent Australian researcher, editor and writer on the Brontës and other 19th Century writers, including their juvenilia

The Juvenilia Press was founded in 1994 by Juliet McMaster at the University of Alberta in Edmonton. It moved to UNSW in 2001 when Christine Alexander became the General Editor. It promotes the study of literary juvenilia (writing up to 20 years of age) of recognised adult writers. It offers insights into the later work of successful writers. It has an international team of contributing editors from Britain, Canada, Japan, New Zealand, the USA and Australia.

Every publication combines the early writing of great authors and an essay on the work. They represent the scholarship and research of some of the world's leading professors of literature and their research students.

The Juvenilia Press, as its website suggests, is more than just a publishing project:

The Juvenilia Press was originally conceived as a university/classroom project. While it has grown well beyond those limits, pedagogy remains at the core of its mandate. Students are involved in every volume in some capacity, whether that be writing introductions, researching annotations, learning the importance of textual editing, drawing illustrations, or developing a book's layout and design. Working under the guidance of established international scholars, they gain invaluable experience, practical skills, and publication.

The format of the publications is similar each time. A theoretical essay is included to introduce the work and is written by the editor of the work. This is then followed by the juvenilia that is published with original illustrations when available.

The works published to date

Juvenilia Press has published over 50 works since 1994, some of which I reviewed in previous posts (here & here). The writers whose early work has been published include Jane Austen, Charlotte & Branwell Brontë, Louisa May Alcott, Charles Lutwidge Dodgson (Lewis Carroll), George Eliot, Margaret Atwood, Greg Hollingshead, Margaret Laurence, Rudy Wiebe, Opal Whiteley, John Ruskin, Charles Dickens and many others.

Some Selected Recent Publications

a) Louisa May Alcott's 'Norna, or the Witch's Curse'

Anyone who has read or seen 'Little Women' will remember the play that the sisters performed within the work. 'Norna, or the Witch's Curse' is the real play, written when Alcott was just 15yrs old. In it she provides a farcical description in 'Little Women'. It is filled with fierce posturing and melodramatic action, Norna shows young Louisa and her collaborating sister Anna stretching their creative wings in poetic drama.

Few readers of 'Little Women' would realise that the play in the book (and the film) was based on Alcott's play written, directed and acted out with her sisters when she was just 15.

b) Virginia Cary Hudson's 'O Ye Jigs And Juleps'

Both knowing and naïve, pious and feisty, 10-year-old Virginia Cary Hudson brings her sharp observation to bear on the adults and children, churches and institutions of her home town, early-1900s Versailles, Kentucky. Essays for a teacher have never been so revealing, or so entertaining.


Edited by Jeffrey Bibbee, Lesley Peterson, and Leigh Thompson Stanfield, with Emily Cater, Danielle Holcombe, Catherine James, and Melissa Thornton.

c) Charles Dickens's 'The Bill of Fare', 'O'Thello' & Other Early      Works (2012)

Dickens wrote of his childhood,"All these things have worked together to make me what I am". Among "these things" in his juvenilia are his genius for story telling, his creation of comic characters and his love of the theatre. Just like his later great work 'David Copperfield', they throw light on a young man in love, bursting with inventiveness and struggling to shape his ideas into the kind of public performance that would lead to fame.

Christine Alexander has edited this publication with Donna Couto and Kate Sumner. It was timed last year to coincide with the 200th anniversary of his birth. The critical essay that precedes Dickens juvenilia reminds us that Dickens's amazing talent for storytelling was evident from a very young age. He was a child who loved being centre stage to tell stories, sing and entertain others. It is clear that Dickens wrote a great deal as a child, but much of it doesn't seem to have survived. However, over time some works have emerged from his late teens, including some of his early poetry and fragments of his first comic drama that he titled 'O'Thello'. This is a fascinating look at some of the early work of this great writer. 

d) John Ruskin, 'Poems From Seven to Seventeen' (2012)

The greatness of great creators, John Ruskin wrote, stems from "what they had seen and felt from early childhood". These are early poems of the man known as the leading art critic of the Victorian period. He was also an artist himself and a significant social commentator. They demonstrate the truth of his own words in fascinating ways. Ruskin's life spanned much of the 19th century (1819-1900) and his creative endeavours were extraordinary. He wrote some of the most significant essays of his time on topics as diverse as art, architecture, social justice, political economy, education and culture. But his writing extended to fields such as geology, literature, social class and more. 

This publication features the poetry of this home-schooled youth. Rob Breton  who edited the work with Alayna Becker and Katrina Schurter, suggests that his poetry amongst many other things offer '...a fascinating look at the experience of growing up in an increasingly affluent home in the 1820s'. It offers us an opportunity to consider and enjoy the work of this amazing man.

e) Leigh Hunt's 'The Palace of Pleasure & Other Early Poems'

Young Leigh Hunt's poems, early recognized as “proofs of poetic genius”, offer landscapes populated by happy schoolboys and errant knights freed from magical enthrallment. Already vivid here is Hunt's lifelong commitment to the betterment of his fellow man through friendship and communion with nature.

The juvenilia of Hunt has been edited by Sylvia Hunt, with illustrations by Karl Denny

d) Hope Hook's 'Crossing Canada, 1907: The Diary of Hope Hook'

In her diary of 1907, young Hope Hook records an exciting journey across Canada to Vancouver Island and back, by ship, rail and boat. Born to a family of artists, she is eager to observe the new country that will soon be her home, and all its people, flora and fauna.

This work has been edited by Juliet McMaster.

f) Mary Grant Bruce, 'The Early Tales' (2011)

Pamela Nutt edited the work of Mary Grant Bruce with Year 11 students from Presbyterian Ladies' College in Sydney. This publication exemplifies the importance of pedagogy to the Juvenilia project. The illustrations are by Matilda Fay & Isabelle Ng.  Mary Grant Bruce’s nineteenth-century childhood was spent in rural Victoria and throughout her writing career this landscape provided the setting for many of her stories. These early tales, written for the newspaper 'The Leader', demonstrate an understanding of the challenges of the Australian outback and introduce many of the concerns she would later develop in her highly successful fiction for children.


g) Patrick Branwell Brontë, The History of the Young Men (2010)

William Baker and others have edited this early work of Patrick Branwell Brontë. This is a tale of exploration, bloody battles, colonization and supernatural ‘guardian demons’. Branwell at age 13 years chronicles the founding of imaginary African kingdoms and the exploits of the toy soldiers who inspired the Glass Town and Angrian saga. Here we observe the role of history and the power of childhood play in the early writing of the neglected but talented brother of the famous Brontë sisters. A Useful Resource  Christine Alexander (2010). The Brontës: Tales of Glass Town, Angria, and Gondal, Selected Writings, London: Oxford University Press.

Eight ways writing 'teaches' reading to under 5 year olds

Children begin to write early - very early! In fact, they begin to make marks on their world as soon as they can dip fingers into food, water and dirt. Once they can hold a pencil or crayon, or use simple apps on a drawing tablet, they are ready to 'compose'! It is important in the first two years of life that children are given the chance to experience writing. By this, I don't mean structured learning activities, I simply mean being encouraged to make marks that might represent meaning they want to attach to them - "This is a frog"! "My cat's got a fat tummy". Very early on children will scribble or make marks and attribute meaning to them.

There are many simple ways to encourage children to write:

a) Provide them with varied writing implements and materials to write on.
b) Encourage them to try to write letters and words.
c) Let them see you writing words and letters.
d) Encourage them to write their name, numbers and letters.
e) Let them see you writing and reading words at the same time.

Rich experiences of early writing have an impact on language and learning generally, and certainly reading.   Offering varied early experiences for writing is as important as reading to and with your children. Children who have rich early reading experiences will often be more precocious as writers.  Here are eight ways that early writing reinforces reading.

Photo from TTALL Literacy Project

1. Being read to and reading oneself offers us a rich experience of story - I've written in other posts about the importance of story to life and learning (e.g. here). Harold Rosen once suggested that 'Narratives...make up the fabric of our lives...'.  Jerome Bruner and others have gone further to suggest that story is 'a fundamental mode of thought through which we construct our world or worlds.' And of course, story is fuel for writing.

2. Reading offers models for writing - Reading also introduces us to varied ways to share a story, and how to start a story and end it. It helps us to learn how to develop a character, the art of description, humour, rhyme and rhythm. Dr Seuss is a master at such lessons.

3.  Reading teaches us about 'readership' -When children begin to have books read to them, and later begin to read for themselves, they realize that these stories have been written for them, the reader. Good writing requires a sense of audience, and stories read teach this. When children begin receiving letters, cards, or simply being shown print in their world, they begin to grasp that language isn't just to be received, but can also be created and shared with others as a writer.  They also learn that if you write for readers, and receive responses, that this is enjoyable and strengthens relationships.

An early letter from Elsie

4. Reading enriches language - There is no doubt that reading feeds children's writing. It introduces children to new words, novel use for old words, and the very important need to 'play' with language if you are to be a successful writer. Robert Ingpen's book 'The Idle Bear' demonstrates this well. It is essentially a conversation between two bears but it is rich in language and metaphor. He starts this way:

"What kind of bear are you?" asked Ted
"I'm an idle Bear."
"But don't you have a name like me?"
"Yes, but my name is Teddy. All bears like us are called Teddy." 

Later in the story a very confused bear asks:

"Where do you come from, Ted?"
"From an idea," said Ted definitely.
"But ideas are not real, they are only made-up," said Teddy. "You have to come from somewhere real to have realitives."
"Not realitives, relatives!" said Ted trying to hide his confusion.

Elsie's TV instructions

5. Reading introduces us to varied written genres - While children experience story from a very young age, reading also introduces them to the fact that language can be represented in different genres. Through reading at home and within their immediate world, children quickly discover that people write and read lists, notes, labels on objects, poems, jokes, instructions, maps and so on. Parents read and point out these varied text forms and eventually children try to use them.

My granddaughter Elsie's 'TV Instructions' (left), written aged five years, is a priceless set of instructions that she wrote for her Nanna just before she went to bed, so that Nanna could watch her favourite programs while babysitting.

6. Reading helps us to understand the power of words - Stories and other texts quickly teach children that words can have power. Signs give clear instructions in powerful ways - 'STOP', 'BEWARE OF THE DOG', 'CHILDREN CROSSING', 'KEEP OUT'. But well-chosen words express emotions too - "I love you", "It was dark and scary". Children also discover that words can do other things. With help they will enjoy discovering language forms like onomatopoeia, e.g. atishoo, croak, woof, miaow, sizzle, rustle etc.

7. Reading offers us knowledge - Children also discover that reading offers us knowledge that can feed writing. Without content there won't be writing. Books can captivate children and offer new areas of learning and interest. As they are read books, they also learn about their world. For example, they might discover that trees don't just have green leaves, but sometimes these leaves change colour, fall off and create a habitat for many creatures. Trees drop seeds which animals eat, offer shelter for animals, material to build homes and so on. But they are also homes for elves and animals that talk, places where strange lands appear regularly, and where a lost dragon might rest. Reading feeds writing with knowledge as raw material for writing.

8. Reading helps us to imagine and think - As children are introduced to varied literary genres and traditions, imaginations are awakened to the realms of fantasy, time travel, recreation of life in other times, the perils of travel through space. But at a more realistic level, reading can help young writers to imagine childhood in other places and times, 'within' the bodies of other people and with varied life roles. Through reading, children are given the examples and the fuel to imagine and write about themselves in the shoes of others, sharing their life circumstances as well as their challenges, fears and hopes.

  You can read all my other posts on writing HERE

Helping Young Children to make Reading & Writing Breakthroughs: Eight Simple Steps to Literacy

While the groundwork for the creation of young writers takes years, the point of take-off can occur in as a little as 30 minutes. This post is an illustration of how this can occur. In fact, in this single post you will see how one five year-old goes from a 'non-reader' with some early knowledge of sounds to a reader and writer in one week.

The example is drawn from observations of one of my grandchildren, but I have seen it many times in classrooms throughout my teaching and research career. As a five year-old she had just commenced formal schooling in Australia in Kindergarten (Grade 1 in most countries). She had attended two years of preschool (for 2 half days per week as a three year old, and then three days per week as a four year old). She had been read to before school, mostly at bedtime, had begun to play with sound, writing and matching games on an iPad as a 4 year old, and she liked completing some basic prereading booklets. She had also shown interest when she saw her brother (three years older than her) being taught to read at home. As a result, she began asking him to read to her.

When she started Kindergarten her teacher had begun introducing letters and their sounds and as reading and writing exercises. After about seven weeks the teacher had introduced about 15 sounds (2-3 per week), all single consonants and vowels. With each one Evie had to complete an activity sheet that required her to copy the letter, write (copy) a word, and then draw a picture (see an example below).

Above: One of Evie's School Worksheets

Like many preschool children she also enjoyed drawing and liked to embellish them with numbers, sometimes letters and print-like scribble. However, she had not tried to write words or represent meaning with more than scribble or drawings. The only exception to this was the copying of the single words that matched the letters that her teacher had been systematically teaching.

One weekend just 8 weeks into the school year her grandmother was doing some creative oral story making using Lego as part of the process (this is a common strategy we have used in the past, see my recent post HERE). They were acting out a shopping episode, and my granddaughter was acting as the customer. As she came and asked for items (which were Lego shop items with food pictures on them) her grandmother said to her, 'You need a list.' To which she replied, Yes'! And she began to do some text-like scribble on paper and handed it to her grandmother in exchange for the 'goods'.

Because her grandmother had seen her school workbook she said, 'Why don't you write some words on the paper?' My granddaughter grabbed a piece of paper and wrote 'egg' and 'fish' on the paper (two of her school words), which matched two of the Lego pieces. She exclaimed, 'I didn't know I could do that'! Her grandmother praised her, showed her grandfather (me) and we told her how clever she was.

Above: Her first two words written from memory

She dropped the game, got more paper and proceeded to try her hand at more writing. At first she was using her store of words that she had seen at school, writing each from memory without her school book. Within about 30 minutes Evie had written many words and then began to push the boundaries as she extended her writing from school words, to new words, then phrases, sentences and finally short stories.

I explained to her that she needed to have spaces between words and showed her how to use finger spaces between them. We provided more paper, her grandmother gave her a blank book, and she was away. Before the hour was out Evie had achieved the following milestones:

Step 1 - She had written her first words from memory (above)
Step 2 - She begun to string known words together from memory with loose associations (see above larger text)
Step 3 - She began to try to write words that she didn't know (see her attempt at 'bowl' and 'horse' below).

Above: Her first 'invented' spellings for 'bowl' & 'horse'

When she wrote the above words she said, 'I wrote some new words Grandad. Do you know what they are?' I answered, 'Yes, bowl and horse'. Pointing to the second word she asked, 'Does this really say horse'? I answered, 'Well I could tell that you meant them to be horse and bowl, even though there are some letters missing'. I showed her the missing letters, and then she moved on to her next piece of writing.

Step 4 - She sat down with her new blank book and tried to string together a number of words in the form of a simple sentence, trying to spell the unknown words using her limited knowledge of phonics.

Above: 'My pet dog is the best'

Step 5 - She repeated the text and experiments with images and other textual forms. Attempting multimodal texts already.

 
Step 6 - Her sentences became more complex, and her satisfaction was obvious! She shared her work.

Step 7 - She tried further experimentation with tough words and concepts. Her next text was much more complex in syntax, vocabulary and meaning. It had been written just one hour after she wrote her first words from memory and without assistance!

Above: A story with greater complexity

Step 8 - The next morning with her mother's help and advice on some words, she made herself a book and began to write her first 'novel' - 'My Cat'! 

In the week following this series of events my granddaughter also decided, with new confidence, that it was time to start reading herself at night. She asked me could she read herself in bed, her mother gave her one of the Level 1 Ladybird 'Read it Yourself' books. The video below shows a snippet of her reading 'The Little Red Hen' largely unaided without having tried to read the book before.

Summing Up

This post hasn't set out to offer a recipe for how you can teach your child to write in in a few days. Rather, what I have tried to do is show an example of how fast progress can be for young readers and writers, if they have had rich literacy experiences in the preschool years, and when we seize on key teachable moments. In the day-to-day life of the home and school we need to look for opportunities to 'prod' children forward to take risks as learners. Once children do take such risks and experience success and encouragement, progress can be quite remarkable.

Eight ways early writing reinforces reading

The desire to write starts early!

This is a revised version of a post that I did in 2013. I thought that I'd revisit it.

Children begin to write early - very early! In fact, they begin to make marks on their world as soon as they can dip fingers into food, water and dirt. Once they can hold a pencil or crayon they are ready to 'compose'! It is important that in the first two years of life that children are given the chance to experience writing. By this, I don't mean structured learning activities, I simply mean an encouragement to try to make marks that might just represent meaning. Very early on children will scribble or make marks and attribute meaning to it.

There are many simple ways to encourage children to write:



a) Provide them with varied writing implements and materials to write on.
b) Encourage them to try to write letters and words.
c) Let them see you writing words and letters.
d) Encourage them to write their name, numbers and letters.
e) Let them see you writing and reading words at the same time.

Rich experiences of early writing have an impact on language and learning generally, and certainly reading.   Offering rich early experiences for writing are as important as reading to and with your children. As well, children who have rich early reading experiences will often be more precocious as writers.  To illustrate the interrelatedness of all aspects of language and meaning making, I want to suggest eight ways that early writing reinforces reading.

Photo from TTALL Literacy Project

1. Being read to and reading oneself offers us a rich experience of story - I've written in other posts about the importance of story to life and learning (e.g. here). Harold Rosen once suggested that 'Narratives...make up the fabric of our lives...'.  Jerome Bruner and others have gone further to suggest that story is 'a fundamental mode of thought through which we construct our world or worlds.' And of course, story is fuel for writing.

2. Reading offers models for writing - Reading also introduces us to varied ways to share a story, and how to start a story and end it. It helps us to learn how to develop a character, the art of description, humour, rhyme and rhythm. Dr Seuss is a master at such lessons.

3.  Reading teaches us about 'readership' -When children begin to have books read to them, and later begin to read for themselves, they realize that these stories have been written for them, the reader. Good writing requires a sense of audience, and stories read teach this. When children begin receiving letters, cards, or simply being shown print in their world, they begin to grasp that language isn't just to be received, but can also be created and shared with others as a writer.  They also learn that if you write for readers, and receive responses, that this is enjoyable and strengthens relationships.

An early letter from Elsie

4. Reading enriches language - There is no doubt that reading feeds children's writing. It introduces children to new words, novel use for old words, and the very important need to 'play' with language if you are to be a successful writer. Robert Ingpen's book 'The Idle Bear' demonstrates this well. It is essentially a conversation between two bears but it is rich in language and metaphor. He starts this way:

"What kind of bear are you?" asked Ted
"I'm an idle Bear."
"But don't you have a name like me?"
"Yes, but my name is Teddy. All bears like us are called Teddy." 

Later in the story a very confused bear asks:

"Where do you come from, Ted?"
"From an idea," said Ted definitely.
"But ideas are not real, they are only made-up," said Teddy. "You have to come from somewhere real to have realitives."
"Not realitives, relatives!" said Ted trying to hide his confusion.

Elsie's TV instructions

5. Reading introduces us to varied written genres - While children experience story from a very young age, reading also introduces them to the fact that language can be represented in different genres. Through reading at home and within their immediate world, children quickly discover that people write and read lists, notes, labels on objects, poems, jokes, instructions, maps and so on. Parents read and point out these varied text forms and eventually children try to use them.

My granddaughter Elsie's 'TV Instructions' (left), written aged five years, is a priceless set of instructions that she wrote for her Nanna just before she went to bed, so that Nanna could watch her favourite programs while babysitting.

6. Reading helps us to understand the power of words - Stories and other texts quickly teach children that words can have power. Signs give clear instructions in powerful ways - 'STOP', 'BEWARE OF THE DOG', 'CHILDREN CROSSING', 'KEEP OUT'. But well-chosen words express emotions too - "I love you", "It was dark and scary". Children also discover that words can do other things. With help they will enjoy discovering language forms like onomatopoeia, e.g. atishoo, croak, woof, miaow, sizzle, rustle etc.

7. Reading offers us knowledge - Children also discover that reading offers us knowledge that can feed writing. Without content there won't be writing. Books can captivate children and offer new areas of learning and interest. As they are read books, they also learn about their world. For example, they might discover that trees don't just have green leaves, but sometimes these leaves change colour, fall off and create a habitat for many creatures. Trees drop seeds which animals eat, offer shelter for animals, material to build homes and so on. But they are also homes for elves and animals that talk, places where strange lands appear regularly, and where a lost dragon might rest. Reading feeds writing with knowledge as raw material for writing.

8. Reading helps us to imagine and think - As children are introduced to varied literary genres and traditions, imaginations are awakened to the realms of fantasy, time travel, recreation of life in other times, the perils of travel through space. But at a more realistic level, reading can help young writers to imagine childhood in other places and times, 'within' the bodies of other people and with varied life roles. Through reading, children are given the examples and the fuel to imagine and write about themselves in the shoes of others, sharing their life circumstances as well as their challenges, fears and hopes.

  You can read all my other posts on writing HERE