Saturday, March 21, 2009

The Very Hungry Caterpillar turns 40!

Today is the official 40th birthday of the Eric Carle classic children's picture book 'The Very Hungry Caterpillar'. The date coincides with the official first day of Spring in the USA. Since its publication in 1969, the book has been published in 45 languages, and an estimated 29 million copies have sold worldwide. It is considered by experts, parents and children to be one of the best picture books ever published.

Eric Carle has written and/or illustrated more than 70 picture books. He was born in the U.S. but raised in Germany. His background is in graphic design but in the late 1960's he turned full-time to creating books after illustrating Bill Martin Jr's 'Brown Bear, Brown Bear, What Do You See?' His illustrations are collages made with his own hand-painted tissue papers. He has also co-founded with his wife Barbara, 'The Eric Carle Museum of Picture Book Art' in Amherst, Massachusetts.

What makes this such a good book?

We know the book is good, but why? Is it that it shares the common (and successful) narrative pattern that the central character leaves home, experiences a complication or significant event in their life before returning home or being transformed? Sendak's 'Where the Wild Things', the Dr Seuss classic 'The Cat in the Hat' (well the Mum leaves), Hans Christian Andersen's 'The Ugly Duckling', Janette Sebring Lowrey's ‘The Poky Little Puppy’, Marjorie Flack's 'The Story about Ping' and the Brothers' Grimm tale 'Hansel and Gretel' are just a few classic stories that fit this pattern. In each of these stories there is an episode of exploration, adventure or a journey, some challenging circumstances and then ultimately a return to the security of home or renewal.

But this isn't the only factor contributing to the book's success. It has many things going for it, including wonderful and economical use of language. Like 'Where the Wild Things Are', there are few words, but there is still linguistic complexity and good use of repetition. There is also perfect use of illustrations that support and complement the verbal narrative. As well, there is the opportunity to count your way through this book, be introduced to the days of the week and gain an insight to the life cycle of the caterpillar. And then of course there is the clever use of page layout and book design that supports in a tactile and aesthetic way the journey in words and pictures. This is a book that the child can follow numerically, verbally, pictorially and even physically as they go on a journey with the hungry caterpillar. It is a book that is ideal to read alone and with others. It works as a book that you experience snuggled up with mum or dad as well as lying face down exploring it alone or tucked up in bed before lights out. This is a book that any child can feel they are 'reading' almost from the time they are able to hold it.

Some more modern adaptations

I can't see many reasons to mess with this book but such a successful piece of literature was always going to be marketed and packaged in other ways. So who can blame Eric Carle or the publishers for bringing out a new edition in this the 40th year?

To mark the anniversary a new pop-up version of this classic has just been released. Purists may not like the idea. It has lots of new pop-ups, to give a 3D feel to the experience; but thankfully, the art has remained faithful. Carle has included some photos of children reading the book on his website (here).

The book was adapted for Television in 1993 by the U.K.'s Illuminated Film Company as part of an anthology called 'The World of Eric Carle' that included four other Carle stories, 'The Very Quiet Cricket', 'The Mixed Up Chameleon', 'Papa Please Get The Moon For Me', and 'I See A Song'. It has also been suggested from several sources that the film rights have been sold for approximately $AUS2 million.

The book is available in a variety of forms including, hardback, paper, board and 'Big Book' format for teachers. There is also a wide range of games and other merchandise available from 'The World of Eric Carle'.

There are a number of video and multimedia readings of the book, you can view one of the best below.


Monday, March 16, 2009

Visiting the 'real' place in 'My Place'

I've mentioned Nadia Wheatley and Donna Rawlins wonderful book “My Place” (1987) a number of times on this blog. I used it as an example in my post on 'sense of place' in literature (here) and also focused on it as a book to read to children in a post on Australia day this year (here). In response to my second post my daughter Nicole read the book again to her three children (Jacob, Rebecca and Elsie). Jacob and Rebecca became even more interested in the book and this generated some more research and her own blog post (here). Nicole discovered that there is a 'My Place' walking tour of the area on which the book was based and yesterday we did the tour together and Nicole invited some others as well. The tour is run by a small historical society that has its home at St Peters Anglican Church one of the buildings mentioned in the book. Our tour guides were Laurel and Bob. Laurel has lived in the house that her parents bought in 1938 since her birth in 1945. She has watched the physical changes and different waves of immigration described in the first half of 'My Place' as part of her own life. She loves Tempe and isn't in a hurry to leave.

'My Place' was published in 1987 for distribution in Australia’s bicentennial year (1988) and makes a strong statement about the fact that Indigenous Australians were here for thousands of years before white settlement (there isn't space to unpack this). It is a very clever book that takes one suburban block and tells the story of this place in reverse chronological sequence decade by decade from 1988 back to 1788 when the first British Fleet landed at Botany Bay. The overall meaning of the book is shaped by multiple narrative recounts of the families who have lived in this spot, 'my Place' and the changing nature of the physical landscape and built environment.

The book has been very successful. So successful in fact that the Australian Broadcasting Commission (ABC) is currently producing a 13 part drama series (details here) that will tell the story of one house in South Sydney told by the children who lived there over a period of 130 years. The producers suggest that it will be "an engaging living history series for children, and aims to show that everyone is part of history, and that every place has a story as old as the earth." They also plan to have an interactive website that will allow users to walk through the three dimensional recreation of the My Place house and see it change from generation to generation of children. My Place is a Chapman Pictures production for ABC TV. One source has suggested that the movie won't actually use the Tempe/St Peters area for shooting, but this remains to be seen.

Some local landmarks that feature in the book

Like many books the physical details of setting in 'My Place' don't perfectly coincide with the place that was the inspiration for the setting. The authors have taken some licence with the physical setting but have sought to accurately portray the generational, environmental and social changes that occurred from 1788 to 1988. So the general waves of immigration and the impact on the Indigenous people and the environment are fairly accurate. So too is the general shape of physical sense of place, particularly the positioning of the Cook's river, the creek that runs into it (and that becomes a canal), the brick pits, the mangroves, the rock oyster beds (you'd be brave to eat these today).

There is more licence taken with the built environment although even here the authors have maintained general faithfulness to street patterns and many building locations. The 'big tree' that is a constant is now in someone's backyard (not near McDonalds), the Church and cemetery (1838) are where St Peters is today, the brickyards (1868) are accurately located (and still exist), there was a 'Big House' (1828) across the Cook's river which Willy the Boatman ferried people to and it was most likely Tempe House that has been preserved but now has a backdrop of high rise 'posh' apartments. Mr Owen's 'posh house' (1838) did exist (although now it has a clothing factory on the site) but it wasn't located near what we think the authors mean by 'big tree'. As you can see, the authors have achieved a close paralleling even of the built environment.

Above: Tempe House, the 'Big House' across the river

Making your own version of 'My Place'

One of the wonderful things about Wheatley and Rawlins book is that as well making a strong point about Australian history and the place of Indigenous Australians it is a mini primer for local history. And as any local historian will tell you, there are as many stories about a place as there are people and their lived experiences. My Place tells one story about this place but others could have been told. For me, the tour of the area threw up lots of potential stories that I'd like to know more about. For example, when visiting St Peters church Laurel mentioned the tragic level of infant mortality in the 1800s and the fact that of the 2,000 people buried up to 1894 in the St Peters cemetery that two thirds were children and two thirds of these were under 5 years old. There are individual stories that I'd also like to know more about, like Willy the Boatman who ferried people across the river in the 1820s and is buried in an unmarked grave.


Parents and teachers might consider using the brilliant framework that Wheatley and Rawlins use in their book to do their own historical research on their community and perhaps even produced your own book. Here are a few ideas.

a) Australian children might like to use the same chronological framework with the addition of 1998 and 2008. Overseas readers of this blog could use your own framework that in many cases could cover longer timeframes and perhaps bigger time intervals. Children could be encouraged to use the same recount genre as Wheatley and Rawlins with the narrator always being a child who has lived in the place that is the focus of the retelling and who uses a map and drawings to support their story.

b) As a variation to the above you could change to genre and instead write a series of diary entries, structure it as a series of post cards or letters sent to family members in the 'home' country.

c) A further variation might be to tell the story of the place through the eyes of the Indigenous people or the immigrants who move into the area. Some might choose to add a period of Indigenous history to the story prior to European settlement.

d) You could use family history as the framework and precede known family history within Australia with that of previous generations who lived in another country, and other places. This variation would involve research on multiple 'places'.

e) Some might also like to tell the story of a house that has been lived in constantly over a long timeframe. I've thought of my own house in this way. The house was built during the 1st world war and has been home to people who were part of the different waves of British, Greek and Italian immigration throughout the last 90 years. But the history of the place can be traced back to the first British Colony (and of coruse beyond). The area adjacent to the home was settled by Rev Richard Johnson (1753-1827) the first Anglican chaplain to the British Colony who came as part of Captain Phillips' First Fleet. As well as his preaching and ministry to European and Indigenous people his excellent farming skills and helped to supply grain, vegetables and meat to Sydney from the lands that included what are now parks opposite my house.


The idea of visiting the site of a novel or children's picture book is an exciting way to bring to life aspects of the writer's craft as well as enriching learning about the content of the book in question. My Place is one of many books that lend themselves to this additional layer of enrichment.

Related Links

Wikepedia has some useful information on Tempe (here) and St Peters (here)

Other information

A special 20th anniversary edition of My Place was published in 2008. click here for more details. The new edition includes a new timeline, which traces the history of the characters in the book, as well as the history of Australia.

Thursday, March 12, 2009

The 4th 'R': Rest!

We live in an age of increasing busyness. A 2008 Australian Bureau of Statistics (ABS) report on how Australians use their time indicated that "..we are spending less time playing, sleeping, and eating and drinking, but longer working." In response to this report and the comments of a leading school principal, I wrote a post on the topic and focussed on how parents' increasing hours of work can impact on family life (you can read it here).

Related links


Research by Andrea Faber Taylor & Frances E. Kuo (click here)

New York Times article by Tara Parker-Pope (click here)

Abstract of the article by Barros, Silver, Stein, Pediatrics in Review (click here)

Harvard medical research study on fitness and academic achievement (click here)


Thursday, March 5, 2009

Remembering literature on World Mathematics Day

World Mathematics Day (which is called Math Day in the USA) occurs on the March 4th in 2009. A central activity on this day is the opportunity for students aged 5 to 18 years to register for the online mathematics questions, puzzles and so on. Students can compete against each other in real time with students from around the world. A game lasts for 60 seconds and students can play as many times as they wish. It's too late for schools and whole classes to register but individuals may still be able to register (well they could at 11.00pm Australian Eastern Standard time but online traffic is heavy). You can register here to be a part of World Math Day this year. However in recognition of World Mathematics Day I thought I'd remind you that children learn a great deal about mathematics from children's literature.

1. Teaching how to count

Some books and early children's rhymes actually try to teach children how to count; introducing them to the concept of counting and demonstrating it through words, pictures and sometimes actions.

a) Traditional rhymes - Some children have some of their earliest encounters with counting as their parents teach them number rhymes, chants or poems. Fingers are an essential prop. For example:

5 Little ducks went out one day.....
Sing a Song of Sixpence...
This little pig went to market...

You can find hundreds of traditional rhymes here

b) Books that teach counting - Some books try to do the same thing through words and pictures. For example, 'One Duck, Another Duck' by Charlotte Pomeranz (1984). In this delightful book Danny the owl is taken by his grandmother to the pond and she teaches him to count the ducks:

Danny started to count them. "One duck, another duck, another duck, another duck..." 'No', said grandmother. 'You know how to count. One, two, three and so on. Count them again."

2. Counting books

Many books simply aim to teach children to count from 1 to 10, or 1 to 20. There are countless examples, all of which introduce children to rich language and teach concepts of print while at the same time teaching children to count. For example:

a) One fish, two fish, red fish, blue fish, by Dr Seuss (1960) teaches some basic maths while introducing children to many other concepts, new vocabulary (e.g.colours) and how rhyme works.

b) One woolly wombat, by Kerry Argent (1982) teaches children to count to fourteen while enriching their language:

One woolly wombat sunning by the sea
Two cuddly koalas sipping gumnut tea

Three warbling magpies waking up the sun etc


c) Waterhole, by Graeme Base (2001) again teaches counting through rich rhyme, language and incredible drawings that invite the reader to find the animals on each page and count them. This is all embedded within a simple narrative that tells the story of a waterhole and the animals that use it and what happens as it slowly dries up before finally being replenished by rain. Graeme Base is a master at including mathematical concepts and puzzles within his work.

3. More advanced mathematical and scientific concepts

Some children's picture books are even more ambitious and attempt to teach advanced mathematical and scientific concepts.

a) Counting on Frank, by Rod Clement (1990) introduces children to estimation as a smart (nerdy) and amusing boy (Frank) speculates about many things. How many dogs identical to his own would it take to fill his room? How many of his Dad could he squeeze into a television? How long it would take to fill his entire bathroom at bath time?

b) Mr Archimedes Bath, by Pamela Allen (1983) tells the story of how Mr Archimedes and his friends solve the problem of water displacement. Why does the bath overflow when they all climb in? Allen plays with the same concept in 'Who sank the boat' (1982)

c) The Eleventh Hour: A Curious Mystery, by Graeme Base (1988) - this brilliant book explores the concept of time while also encouraging readers to solve a variety of mathematical puzzles. All this is woven within a tale about an elephant that turned 11 years old.

I've only tried to offer a small sample of literature that teaches about mathematics; there are many other examples. Why don't you read some books on 'World Mathematics Day' to your two year-old in preparation for World Mathematics Day 2012!

Related Post

I wrote an earlier post on the many things that children learn from literature, it may be of interest (click here).

Tuesday, March 3, 2009

Happy Birthday Dr Seuss

Theodor Seuss Geisel (1904-1991), better known as Dr. Seuss and sometimes Theo LeSieg, was born on the 2nd March 1904 in Springfield, Massachusetts. His mother, Henrietta Seuss Geisel, often sang her children to sleep "chanting" rhymes. Theodor (Ted) gives credit to his mother for his ability to create the rhymes that made him famous. He was an outstanding cartoonist in advertising but is best known for his wonderful children's books. It took him 27 attempts before a publisher took his first book - And to Think That I Saw It on Mulberry Street. Vanguard Press eventually published it. The story is about a young boy named Marco who as he wanders down the street sees a horse and cart that suddenly through his eyes appears to take on some special qualities. A horse and cart becomes a chariot pulled by a zebra, then a chariot pulled by a reindeer, then a sled pulled by an elephant and so on. The images have the characteristic Seuss colour, sharp lines and simplicity of language and structure. The language is rich, repetitive and rhythmic.

His style never moved far from this wonderful recipe but the trademark of his work was the wonderful and inventive way he used language, rhyme and repetition. It has been suggested that his work contributed words to our lexicon for the first time. For example, he used the word "nerd" before anyone else (as a nonsense word) and eventually it found its way into our language as a way to describe someone with quirky personality who is bright and somewhat eccentric.

You can read a complete review of Dr Seuss and his work that I wrote last year (click here)

Thursday, February 26, 2009

Author Focus: Ivan Southall


1. Biography

I've chosen an Australian author for my latest 'Author Focus' who sadly is barely known to the younger readers of today. When I was growing up there were a small handful of very popular writers for children and chief amongst those in the 1950s and 1960s was Ivan Southall. It seemed that everything he wrote was successful and many of his books were groundbreaking as well as sometimes controversial. He was born in 1921 in Melbourne and died in 2008. He grew up in Surrey Hills and attended Box Hill Grammar School. He was the older son of Francis (Frank) Southall and his wife, formerly Rachel (Bessie) Voutier. His Dad was once a home missionary in Jeparit, but worked for an insurance company after failing to become a Presbyterian minister. In her obituary Stephany Steggall suggests:

"
Ivan and his younger brother, Gordon, enjoyed a happy childhood, much of it associated with the Methodist Church. If Southall were to claim any serious literary foundation, it had to be the influence of the King James Bible, absorbed during after-dinner readings or in church."

At the age of fourteen his father died and his life changed. This bright student was sent to work washing bottles and glassware. He later became a copy boy at the Melbourne Herald. He had an early ambition to become a journalist, but the Herald gave him an apprenticeship in process engraving. However, this gave him entree to journalism and writing and in his spare time he began to write fiction.

In 1945 Southall married Joy Blackburn and they lived on a property in the Dandenong Ranges. They had four children together and in 1962 Joy gave birth to their fourth child, Melissa who was diagnosed with Downes Syndrome. Raising a disabled child had a strong influence on the whole family and can be seen reflected in Southall’s writing in books such as Finn’s folly and Let the balloon go, both of which involve disabled protagonists and consider the impact of their disabilities on their families and their ability to cope and survive. In 1974 Ivan and Joy were separated and divorced in 1976. Southall married Susan Westerland Stanton in 1976.

2. His Books

Ivan Southall had completed four books before he was twenty, three of which were not published until after the Second World War. Southall was a pilot during World War II, the captain of a Sunderland flying boat based at Pembroke Dock in Wales. He was awarded the Distinguished Flying Cross for sinking a German U-boat in 1944. His wartime experiences obviously had an impact on his earliest post-war writings.

'Full Throttle for Fortune' (the original title, that was replaced with 'Meet Simon Black') was his most ambitious earlier work and was the genesis for the Simon Black series about a brave pilot, his mate Goggles Grant and his dog, Rex. Many men over the age of 50 will have wonderful memories of his Simon Black Books for boys published between 1950 and 1961. These very popular adventure books (published in Australia by Angus and Robertson) have fast action focussed on the larger than life central character Simon Black. They included 'Meet Simon Black' (1950), 'Simon Black in Peril' (1951), 'Simon Black in Space' (1952), 'Simon Black in Coastal Command' (1953), 'Simon Black in China' (1954), 'Simon Black and the Spaceman' (1955), 'Simon Black in the Antarctic' (1956), 'Simon Black Takes Over' (1959) and 'Simon Black at Sea' (1961).

Southall's book 'Hills End' (1962) widespread critical acclaim both in Australia and overseas and launched Southall's international reputation. The book is about a group of children facing a crisis without adult supervision. This is a theme that he repeated in many other titles (e.g. see 'Ash Road' below). In the ten years that followed Southall published some of his most successful and awarded children’s novels, including Ash road, To the wild sky, Finn’s folly, Chinaman’s Reef is ours, and The foxhole. In this period the idealistic hero of his Simon Black novels was replaced with much more complex and recognisable characters. In this period he also experimented with a number of different narrative techniques, using for the first time the interior monologues found in Let the balloon go, Bread and honey and Josh. At the same time he also received severe criticism for his challenging subject matters that were frequently 'on the edge' of acceptability for some parents and librarians.

3. A sample of three special books

a) Ash Road (1965)

I can recall reading As Road as a child at primary school and the excitement and fear that the strong narrative engendered. The story is about some children living on Ash Road who are confronted with the fear that many face in rural Australia, the bush fire. The pattern of the day was like that for most Australian fire disasters (including the recent fatal Victorian fires). Southall paints a literary picture of a bewildering and fearful day. The unnatural heat of early morning, the roaring northerly wind and the smell of smoke across thickly wooded hills. Next the panic of communities, the noise of sirens wailing and adults behaving (in the eyes of children who have not experienced this before) so strangely. Conversations overheard of large fires too far away to see. Finally, the realization that nearly all the adults had gone and that a small group of children, were cut off amid growing confusion and danger. The story tells of how they face the danger with only two old men to help them. Southall's grasp of language and his ability to use it to create fear, anxiety, joy and courage is on display in this wonderful book. While it is set in another age, today's children will still find this a gripping tale.

b) Josh (1971)

This is the story of a boy's four-day visit to his Aunt Clara the in Ryan Creek (a town founded by his great grandfather). He has difficulty relating to the other children in this remote rural community and discovers what it means to be an outsider with no awareness of what he needs to do to gain acceptance. He finds himself so different to these children who see the world in different ways and who set out to embarrass, humiliate and shame him. Any child, who doesn't quite fit the mould, will be able to relate to Southall's character. As always he creates in the book rich and believable characters that engage you and draw you into their lives. While he also creates authentic and interesting Australian settings (another strength of his work), it is the depth and complexity of his characters that separates Southall from many other lesser writers. His word craft is also masterly and is seen at its best in this book that achieved what no other Australian children's book has managed, the United Kingdom's highest award for children's literature, the Carnegie Medal (1971).

c) Let the Balloon Go (1968)

Ivan Southall's youngest daughter Melissa and her life coping with disability were central to 'Let the Balloon Go' (1968) and also 'Finns Folly' (1969). The main character in the Let the Balloon Go' has cerebral palsy and has overprotective parents, a twelve-year-old, left alone for the first time. He tries desperately to assert his independence and as a result does exactly what he has been forbidden to do. The book is one of Southall's most successful novels for younger readers and is just as relavant today.

The book was also made into a film in 1976 (click here) that was produced by Film Australia.



4. His Awards

As well as the Simon Black series Ivan Southall published twenty-eight children’s books, and a number of adult novels and numerous essays and short stories. His work for children has been translated into over twenty languages including German, Swedish, Japanese and Russian. His numerous awards included the Children’s Books of the Year Award for Ash road (1966), To the wild sky (1968), Bread and honey (1971) and Fly west (1976). He also won the Children’s Picture Book of the Year for Sly old wardrobe (1969) that was illustrated by Ted Greenwood. He is the only Australian children’s writer to receive the Carnegie Medal (for Josh), which was also an honour book for the Hans Christian Andersen Award. He was made a member of the Order of Australia in 1981. He also won the Emeritus Award of the Australia Council Literature Board in 1993 for his contribution to Australian literature. In 2003 he received the International Phoenix Award of the American Library Association (Children's Literature) for The Long Night Watch. He was also awarded the Dromkeen Medal in 2003 for his writing that spanned 50 years.

While much of Southall's work was written in different times and for readers with vastly different lived experiences than today's children his books are just as relevant today as they were when he first wrote them. Boys of today will also enjoy the insights that his work gives into the life of young boys (in particular) in the 1950s to 1980s, and a world with some differences from their own.

Related links


All my posts in the 'Author Focus' series (
click here)
All my posts on children's literature (click here)
Posts on 'Key themes' in children's books (click here)

Photo credit: Photo above of Ivan Southall by John Lamb

Wednesday, February 18, 2009

Your Baby Can Read - Part 2

Readers of this blog may recall that I provided a brief review of 'Your Baby Can Read' (YBCR) in July last year (here). YBCR is a successful reading program designed for toddlers. My first post created a lot of interest with over 10,000 viewings and many comments. It had never been my intention to offer an extensive review of the program; in fact, I wrote it in response to a simple reader's question, “Is it a good idea?” However, the many comments on the post suggest that there is strong interest in the program and varied views on its usefulness. I have written this post as a follow up to the previous discussion. I apologise in advance that it is VERY long as a blog post but hopefully some will find it helpful in full and others can skim.

1. A recap of the last post

I indicated in my last post that YBCR is primarily a word recognition program designed for children as young as 12 months. It aims to teach children to recognise words by ‘sight’ (instant word recognition), with the words being taught using a variety of stimulus materials including DVDs and word and picture cards. As with any sight word program, the child is taught to use visual clues such as the shape of the word, and some aspects of letter configuration (e.g. an initial letter, an unusual ending) to identify the word instantly. The program developer suggests that YBCR also seeks to develop incidentally some phonic skills as a by-product of the repetition of sight words, but the program does not systematically teach phonics.

I expressed three concerns with the program. Some of the readers of the post expressed other views in their comments that do not necessarily reflect my own views, you should read their comments as their own, not mine. I shall recap my three original key points:
  • First, the program does not teach children to ‘read’ in the fullest sense of the word, rather it teaches them to recognise instantly a number of words. As I outline in a previous post (here), to be an effective reader any child ultimately needs to: learn the sounds of language and their correspondence with print; understand the structure of language and how it works; learn how to use language appropriately for specific purposes; and learn to comprehend, interpret, use, appreciate and critique written texts. The program is focussed on one strategy for instant word recognition. While some of the supporters of the program (as seen in their comments on my last post) claim that it teaches children incidentally about sound-symbol relationships, the program does not teach phonics and claims that it does help such skills are not backed by research.
  • Second, if you introduce this program at ages as young as 12 months (as suggested by Dr Titzer) you are essentially introducing the child to formal instruction 3-4 years before what has traditionally been the practice. While Dr Titzer suggests that an early introduction to written language in the form of his program will accelerate learning, he does not provide any evidence to support the claim. I pointed out that the country that has some of the best literacy results in the OECD is Finland, a country where just 9 years of school education is compulsory and where it doesn’t start till age 7!
  • Third, in introducing a program like 'Your Baby Can Read!' you are essentially devoting time to structured repetitive learning of a limited type that would probably replace other forms of learning. I asked parents to consider what they would stop doing while using the program.
In addition to my own comments, a number of readers of my first post also offered their own additional points. There were many comments mostly based heavily upon personal experiences of one kind or another. I tried within the limits of the space one has in a blog comment to respond to the various issues one by one. Some suggested that I am opposed to early stimulation of literacy; this is not the case. What is at issue here is the nature of this early stimulation and whether some types of early accelerated learning might be harmful. At the outset let me say there is limited evidence in either direction in relation to children of this age. My own view is that I would not begin formal instruction too early based on wider research on literacy, learning and development. Not all readers of the blog agree. In fact, embedded within a number of challenges to my first post were questions about the value of accelerated learning and the suggestion that I should comment further on this issue. A number of the comments made by readers of the first post have led me to write this second post. Please note that I am not writing this post for a research journal so it is not meant to be comprehensive in nature, nor is it referenced like a research paper. Rather it represents a synthesis of the major trends and outcomes of research in this area.

2. What we know about the benefits and risks of acceleration of children's learning

a) Generic research on the acceleration of the gifted

Acceleration is the practice of speeding the progress of children through school grades and/or providing them with programs, activities or learning experiences typically experienced by older children. Acceleration can take many forms including early school entry, grade skipping, introducing children to academic skills such as reading much earlier than usual etc. In effect, using 'Your Baby Can Read' with your child at age 12 months is an example of acceleration. Most of the research on acceleration has been conducted with children aged 6 years and above and relates mostly to institutionalised education. Research on the acceleration of gifted children is generally accepted to be harmless for most children when the child is carefully selected and appropriately taught. The evidence (in general) also suggests that there are benefits for gifted children when the practice is adopted and some negative impacts when bright children are left in ungraded and unstimulating classes. Terman’s (1925) earliest study pointed in this direction and others have achieved similar broad findings, for example Kulik and Kulik (1982, 1992), Grose (1993), and Rogers (2004). However, questions still remain in applying this type of generic support for acceleration to approaches to the education of older children in formal settings, to a program like 'Your Baby Can Read' designed for very young children. Why, you ask? Here are a few reasons.

First, the studies cover so many different versions of acceleration (e.g. grade skipping, more advanced work, early school entry etc), that assuming a general effect for a program like YBCR may not be appropriate for your child. Second, research looks for trend data, uses mean scores, and general patterns. This 'smooths' the effects so that the varied ways in which examples of acceleration impact on individual children are masked. For example, in one pro-acceleration study at the Johns Hopkins Center for Talented Youth conducted in 1994, it was found that while 95% of the 175 participants perceived positive consequences of acceleration, almost 50% perceived some negative consequences and 2% reported only negative impacts. Neihart (2007), who supports acceleration, when examining socio-affective effects makes this point, reminding us that in spite of benefits from acceleration, "some accelerated gifted children do exhibit problems with conduct or mood." As well, she reminds us that there are documented cases of individual accelerated children having adjustment problems, and hence we cannot conclude that all gifted children should experience acceleration or enter kindergarten early. However, she suggests that the conclusion that academic acceleration will cause social or emotional harm to gifted children is not supported by research in relation to grade skipping, early admission to kindergarten or school “…we cannot make similar claims for other accelerative options, because they are not as well researched”. The main point to be made here is that parents need to make choices about acceleration based on their individual child and not assume that the benefits are uniform and that negative impacts don’t occur.

Second, many of the studies rely on qualitative research with less than rigorous methodology (Note: I'm not suggesting that qualitative research is generally non-rigorous). This is particularly the case in relation to emotional and social development, but is also the case (to a lesser extent) for academic development of young children. The research generally doesn’t control for pre-existing differences between subjects and often uses data in the form of student perceptions rather than measured psychological changes or behaviour. Most of this research is also descriptive and correlational and often participation is voluntary rather than random, making comparability more problematic. The same can be said for academic effects for young children.

Third, how studies define academic and social/emotional development varies greatly making comparisons between studies more difficult. This is particularly the case with the muddy term social and emotional development where studies use a variety of indicators (e.g. antisocial behaviour, leadership ability, self concept, peer relations, absence or presence of psychological problems variously described) and so on.

Fourth, in relation to assessing the impact of a program like YBCR, and in fact any home-based intervention, it is virtually impossible to control for variability in relation to approach, frequency and conditions. This limits our ability to make judgements about the likely impact of such programs for all children.

Fifth, the evidence in relation to the age at which formal instruction begins for literacy does not support the idea that starting early gives a long lasting positive benefit for children.

b) What developmental psychologists have to say?

While maturational theories have been critiqued at length in recent decades we cannot ignore the work of psychologists like Piaget whose work has been so influential in early childhood education. Piaget’s work and in particular, his notions of stages of development, have been badly interpreted at times. For example, we should reject the common assumption that stages of cognitive development are relatively fixed, that they unfold in a linear and automatic way, and that specific stages should be reached before children are ready for specific cognitive tasks like reading. Piaget never wrote this and in fact stressed that development involved an interaction between the child and their social and physical world. Margaret Donaldson provided one of the strongest critiques of the notion that developmental stages are fixed (here). Similarly, the application of the work of constructivists like the Russian psychologist Vygotsky (see my related post on scaffolding here and a helpful video here) has helped to underline the fact that development is not fixed. Vygotsky saw a much closer relationship between learning and development and indeed argued that learning affects development. Of course, this doesn't mean that it is appropriate to thrust any learning experience on a child whenever one we feel like it. Development is by definition progressive in all children, some tasks are more complex than others, some skills more abstract than concrete thinking, and language can be literal or metaphorical and so on. We cannot simply assume that children can do anything when we want them to without regard to their pre-existing skills and ability. Furthermore, we cannot assume that pushing our children into new areas of learning before they have important foundational skills won’t have an impact on them.

Piaget’s observations of children are consistent with the experience of parents and teachers, which is why the notion of clear stages became so firmly entrenched. The general observations, in effect, locked some teachers into thinking that this is the way it must be for children. While this view is not justified, we cannot ignore the observations of Piaget that in general terms the young child (up to roughly 2 years) is focused on sensorimotor learning and early language learning. At this time children are trying to learn how to move, use their hands and feet to manipulate objects, make sounds, exploring their world through all the senses and communicate with other people. From age 2 most children grow quickly as language users, learning that symbols can convey meaning and later trying to use symbols to do just this. They also begin to understand the difference between reality and fantasy, and to use objects as tools. From early school age most children begin to understand that they can manipulate symbols, make judgements about concrete or observable phenomena and manipulate them for their own purposes. Learning is still very concrete for the primary age child but an understanding of abstraction develops for most children. By the teenage years the child no longer needs concrete objects to make rational judgements, by this age they are capable of hypothetical and deductive reasoning.

Teachers and parents need to take care in assigning work to their children that is too difficult for them or inappropriate. The work of Vygotsky has shown that learning occurs best when the activity or task is within what he calls the child’s ‘zone of proximal development’ (ZPD). Vygotsky demonstrated that children learn not when doing things that are too easy (and repetitive), or when too difficult and frustrating, but when the task is just in advance of their capabilities. The best learning activities for your child are not necessarily those which they can complete alone, but rather, those which are a little in advance of their ability, which with help and support from a more skilled person (typically an adult), they can complete successfully.

c) Research specific to early literacy learning

One of the difficulties that I have with 'Your Baby Can Read' is that it places so much emphasis on sight word recognition, repetitive learning and memorisation. All have a place in learning but their predominant use at such a young age may divert time from other useful activities such as language stimulation, being read quality literature, discovery learning that stimulates problem solving and inquisitiveness. While some of the comments made in relation to my last post suggested that Titzer encourages parents to stimulate decoding skills and to use literature, the fact is that the primary focus of the program is whole word recognition. This approach while relevant and useful should always be used with other approaches such as decoding and phonics and more holistic approaches such as language experience (see my earlier post on it here), and the reading of quality literature to and with them (see my post on this topic as well here).

Some suggested in their comments to my first post that I was reducing this discussion to a debate between whole language and phonics, with my bias being towards phonics. I have been accused at times of stressing holistic approaches but never of being an apologist for phonics-based strategies. The reality is that my own research and writing have always demonstrated a concern for balanced approaches to literacy instruction (see for example my book 'Balancing the Basics'). This was the methodological concern that I was raising in my last post, that is, that YBCR relies predominantly on a relatively limited reading strategy. While whole word recognition can teach children to memorise and recall isolated words, the approach at best is a useful supplement to other strategies.

One of my over-riding concerns with approaches like YBCR is that children at a very young age are being placed under the pressure to learn material using repetitive memorisation traditionally not encountered until years later within the context of formal education. I’m not convinced that the evidence for acceleration at later ages and in typically formal education settings is relevant to children aged 12-24 months at home who have not been professionally identified as gifted nor assessed in relation to their needs as learners. My view as expressed in my last post is one that I still hold, I have concerns about unintended effects of ‘hot-housing’ (i.e. intense study to stimulate a child's mind) by parents at home with limited training and knowledge of language development and learning.

This is not a new view; in fact David Elkind devoted a whole book to the subject in the 1980s, ‘The Hurried Child’ (1981) in which he warned against the tendency for some parents to want to accelerate their children’s progress prematurely. Elkind (1986), Sigel (1987) and Minuchin (1987) are amongst those who have stressed that children need time and appropriate learning strategies to develop normally. Elkind also warned against the temptation to pressure children with simplified learning tasks at a very young age which inevitably end up relying on lower-level cognitive processes such as memorisation, repetition and simple word and sound recognition that could ultimately be at the expense of activities with greater richness and complexity.

4. Summing up

This has been a very long post but I want to stress just a few points in summing up. Parents who want to give their children a head start in life are using 'Your Baby Can Read'. This is a good motivation, but being well motivated does not equal being right. I have argued over two posts now that I have significant doubts about the wisdom of introducing children to a sight word program like YBCR at the age of 12-18 months, this does not mean that I don't see value in what it is trying to do for older children. There is little evidence to support the long term benefits of the program being used at such a young age, nor has there been sufficient attention to research that could discount any potential negative effects. This research should be done before parents can confidently use YBCR with total confidence. While there is evidence to support the benefits of acceleration for older children when learning in institutional settings, we should not assume based on this evidence that the research offers support for the use of YBCR.

UPDATE (14th June 2011): 
I have done a third post on YBCR HERE

Related links

While I didn't comment on Glenn and Janet Doman's work, most of my comments about 'Your Baby Can Read' could also be made about the materials and adaptations based on their book (here). Here's one example (click here).
One view on the problems with hot-housing (click here).

Readers of this post might also find the following posts of interest:
Teacher might find 'Scaffolding in action' of some use (click here)

When do children start writing? (click here)

Basic literacy support: Reading with children (click here)
The importance of play - Part 1 (click here)
Basic literacy support 3: Is phonics all we need? (click here)
The language experience approach (LEA) (click here)
Brain development and the first weeks of life (click here)