Two people inspired me to explore Intertextuality. First, my dear friend and
colleague Margaret Meek from the University of London (who died just two
years ago), and Prof. Jerome Harste (Indiana University) who has been a close colleague and friend for almost 40 years. Jerry invited me to come to Indiana University (Bloomington) as a Postdoctoral Fellow
in 1984. My purpose was to commence postdoctoral research and writing on Intertextuality.
While at IU, I collaborated with a Grade 5 teacher at an Indianapolis School. Barbara invited me to spend time at her school and assist her as a co-teacher, with a class that at times was challenging. I want to share a story from this classroom, that I also shared at the Juvenilia Conference this week. This student's writing, was to offer me a profound insight into why the task of inspiring our children as readers and writers can be at times challenging.
I was shocked! Norah was a disruptive student and had the ability to spend a whole day without completing any task. She was from a difficult family and lived in a trailer court. It’s no exaggeration to say, she had not produced a single piece of writing in English while I was there. I said to her, “what’s this Norah?” She replied, “Nothin Sir”. I said, “looks like writing to me”. “It’s Nothin Sir, just stuff I do at home.”
I hesitated and said, “can I read some of it?” “No Sir, you won’t like none of it. It’s just stuff.” “Looks like poetry to me”. “No Sir, just some songs.” I said, “please let me read some.” She replied, “well, maybe just a couple.”
The first untitled ‘song’ that caught my attention was this one ‘:
Lonesome all alone
She waits by the phone
Lonesome all alone
She wants to belong
Lonesome all alone
She listens and hopes
But there is no sound
Just a lonesome hound
Lonesome all alone
Was this great poetry? For this 11 year old child, yes! At home, it seemed Norah was a writer, whereas at school she was mostly a pest, and had not completed a single piece of writing at school. She saw little relevance in her school learning, but found inspiration in writing music stimulated by her own inner hopes and dreams.
I share Norah’s story, because I believe there are many children like her in our schools, for whom the literature of great authors has not been part of their lived experience. As such, the literary seedbeds of their storytelling and writing are different to the students many of us will teach in our schools. She was inspired by popular music at home and moved to write in response to her struggles as a disadvantaged African American.
I want to suggest 4 key ingredients for motivating and engaging our students as learners:
- First, know your students well. Who are they at home? What are their passions outside school
- Second, discover the things in life that our students might want to share with others?
- Third, consider what might unlock the passions and interests of our students leading them to become risk takers, willing to share the things that touch and inspire them most?
- Fourth, as teachers we should try to
help our children to build a "cauldron of stories" as a reservoir into which they can dip as writers.
The challenge in my talk at the conference was a simple plea. Get to know our students well, and seek to plough the seeds of the love of literature, into the lives of students like Norah, and I suspect many other children within our schools. In this way, we might just be able to help children like Norah (& me when at school) to grow as readers and writers as they connect their lives with the things of school.
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