Saturday, July 15, 2023

Three New Picture Books & An Illustrated Junior Novel

This post previews four wonderful picture books and one brilliant Junior Graphic Novel suitable for readers aged 6-8 years by the brilliant Jon Klassen.

1. 'Dads and Dogs', by Mick Elliott

Author illustrator Mick Elliott has produced another engaging picture book for children aged 6-8 years. I love the way Elliott targets the younger end of the range with a very funny book that highlights just how distracted Dads can be when minding a toddler. This isn't a Dad who just takes his toddler out for an afternoon walk down a favourite walkway. No, this type of Dad always attempts to do some other things as well, with some 'interesting' outcomes. Dad can be easily distracted.

There's the 'Coffee Dad' who sits in the sun with his toddler in the pram and while they both snooze, their dog eats the cake he bought at the cafe to go with his coffee. Then there's the 'Dashing Dad' who has to chase the escaping and 'Muddy Dog'. The 'Bikie Dad' takes his daughter and their dog in the sidecar. And what could possibly go wrong if Dad paints with the 'help' of his daughter and the dog. But there's more.... This is a very funny book.

2. 'A Boy, His Dog And The Sea', by Anthony Browne


Dogs also make an appearance in Anthony Browne's wonderful new picture book 'A Boy, His Dog and the Sea'. Young readers will love Scruff.

This is a poignant picture book about a boy and his dog finding adventure where they least expect it. Anthony Browne is the acclaimed Kate Greenaway and medal-winning author-illustrator and former Children's Laureate. The British Sunday Times review says of the book:
“As is usual with Browne, the scene expresses the mood. Painstaking artwork conjures the wide sea, while faces are hinted at in beach huts and pebbles. Misunderstanding and suspense lead to a happy, heroic rescue.”
The images of faces hinted at in the stones are interesting. Kids will have fun looking and searching them, as well as a few in the clouds. But how the images reinforce the central message of the narrative, wasn't clear to me, but it is intriguing? It reminded me of fun collecting fragments of old glass on pebbled beaches with my children along English seashores; perhaps the stones will have that same impact. 
3. 'The Wheelbarrow Express', by Sue Whiting & Illustrated by Cate James

4. 'The Skull: A Tyrolean Folktale' by Jon Klassen

In this post, I find myself in the unfortunate position of being a little equivocal with one of my favourite Author/Illustrators. Jon Klassen, has received every award and honour imaginable. The art is stunning as usual, and the text is so well supported by the illustrations. 

The plot is simple. A small child called Otilla is running through a dark forest at night, and hears her name being called by a strange voice in an abandoned house. She knocks at the door and calls out "Hello" and the reply "Hello" comes back. It comes from a window. A skull was looking at her. It shows her around the house and a series of magical things occur. The skull tells how a skeleton comes each night looking for his head. Otilla steps in and destroys the skeleton (in a gruesome way) and lives 'happily ever after' with the skull.

I struggled a little with his re-imagined take on an old Tryolean story or yarn. Klassen takes a child friendly story that in the original was amusing - and yet still a little weird - and turns it into a fairly bleak and potentially disturbing story, especially for children aged 6-8 years.

I enjoyed reading his Author's Note at the end of the book, that explains how his reading of the original stayed with him for a year, and he spent time wondering how he would use it for a picture book. He wrote his version without reference to the original, which he suggests is what happens to Folktales. "They are supposed to be Changed by who is telling, and you never find them the same way twice".

In summary, this is an intriguing book, but I don't think I'd read it to a six-year-old at bedtime. I'm sure if it is used in classrooms with children 7-8 years, there will be an interesting discussion.

Otilla kneels on the floor at the foot of the chair on which the skull is propped, holding out the cup of hot tea she has made for him. 

The 'New York Times' book reviewer Ransom Riggs has no problem with the dark ending and says:

"Folk tales are meant to be flexible things, open-source stories infinitely mouldable to the needs of teller and era." 

Riggs believes the original version has been "marvelously reimagined". I'm interested to hear what teachers and parents think.

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